Compresseurs format 19"
Lunchbox et racks auto-alimentés
Présentation
Standard Audio Level-Or est un compresseur type JFET / processeur de distorsion au format série 500 standard. Sa conception est inspirée du limiteur Shure Level-Loc PA, connu pour son son ultra
compressé et " Trashy ". Le Level-Or offre ces mêmes caractériistiques que le Shure et permet d'aller beaucoup plus loin.
En mode "Level", le Level-Or agiy de manière très similaire au Level-Loc. Un temps de release additionnel, plus rapide, est ajouté offrant plus de flexibilité et une plus vaste gamme de sons
compressés.
En mode "Crunch", le Level-Or se place dans une catégorie à part. En balayant le niveau d'entrée plus large que la gamme, une large palette sonore peut être atteinte allant de subtilement accentué
harmoniquement, au Crunch agessif , en passant par des distorsion type buzz-saw, pour complètement détruire du matériel sonore original.
Parmis ces 2 modes disponibles, un grand éventail de sons peuvent être produits à partir de cet appareil. Les boucles de batterie ennuyeises peuvent devenir uniques et les micros Room de la
batterie peuvent être écrasés ou déformé autant que besoin, ajoutant de la dimensiuon et du caractère à l'ensemble du son. Basse, guitare, et les sons de clavier peuvent être manipulés, devenant
des sons complètement nouveaux et différents que le matériau de la source d'origine.
Remarque: En raison de la nature et de la conception de cet appareil, il sonne de manière très agressive; avec des effets de pompage notables, de la distorsion et du bruit.
Nous considérons cela une bonne chose !
Spécifications
• Entrée sumétrisée par transformateur
• Symétrisé électroniquement, étage de sortie niveau ligne capable de conduire des charges aussi nasses que 600 Ohms
• 2 modes de fonctionnement:
• Level - Le son de l'unité est dominé par le limiteur JFET
• Crunch - Le son de l'unité est dominé par de la distorsion harmonique des étages d'amplification discrets Classe A à base de transistor
• Temps de Release double additionnel par rapport à la réalisation originale
• Contrôle de niveau de sortie pour permettre d'éviter de saturer l'élement suivant de la chaine, lorsque le gain d'entrée du Level-Or est chargé (entrée DAW , enregistreur à bande, amplificateur ligne
de console ... etc).
• Entrée niveau ligne ¼" sur panneau avant
Témoignages
"Have i mentioned how much i love my level-or lately? I love it for drums and vocal destruction - it's awesome!!"
Billy Bush
"..... It sounds great on bass, drums , piano, vocals. It basically does everything that a Level Loc would do but with so much more control and finesse, not to mention so much quieter. The quality of the audio is great. It's simple to use and it always amuses drummers....."
-Joe Chiccarelli
"…just wanted to drop a line about the Level-Or. I have mostly been using it on playback at the moment, but it really has a killer tone minus all of the noise of a Level Loc and WAY more versatile."
-Matt Bayles
"The Level-Or is quickly becoming my parallel drum compressor of choice. In "Level" mode, it holds the drums very steady. It gets them to sit well, like hiring a studio drummer when really it's just the band down the street. In "Crunch" mode, it almost sounds like when drums were slammed to tape. Nice and saturated, a little softer, less
digital, It also does other cool stuff. Just the other day I used it to simulate a Walkie Talkie effect for vocals. By using the 'crunch' mode, the signal will cut out briefly when driven very hard, adding a sense of "urgency" to your source. One last thing, it seems as if the Level-Or adds low end to what was put in, so even on light settings, things end up sounding bigger. I'm still finding new uses for this every day."
-Jason Livermore
"hey guys, just wanted to let you know that i came across some "level- Or-ed" drums tracks and loved them! i'm engineering a record for joe chicarelli and he's already got a unit and tracked a mono drum room thru the level-or to add grit to the drum sound. $%*ing mission uaccomplished! i used the Level-Or as a parallel distortion track for a
wulritzer and it added a nice grimey sparkle as well. you guys have any other 500 series designs in the works? i've got one more space in my lunchbox!"
-Travis Huff
Billy Bush
"..... It sounds great on bass, drums , piano, vocals. It basically does everything that a Level Loc would do but with so much more control and finesse, not to mention so much quieter. The quality of the audio is great. It's simple to use and it always amuses drummers....."
-Joe Chiccarelli
"…just wanted to drop a line about the Level-Or. I have mostly been using it on playback at the moment, but it really has a killer tone minus all of the noise of a Level Loc and WAY more versatile."
-Matt Bayles
"The Level-Or is quickly becoming my parallel drum compressor of choice. In "Level" mode, it holds the drums very steady. It gets them to sit well, like hiring a studio drummer when really it's just the band down the street. In "Crunch" mode, it almost sounds like when drums were slammed to tape. Nice and saturated, a little softer, less
digital, It also does other cool stuff. Just the other day I used it to simulate a Walkie Talkie effect for vocals. By using the 'crunch' mode, the signal will cut out briefly when driven very hard, adding a sense of "urgency" to your source. One last thing, it seems as if the Level-Or adds low end to what was put in, so even on light settings, things end up sounding bigger. I'm still finding new uses for this every day."
-Jason Livermore
"hey guys, just wanted to let you know that i came across some "level- Or-ed" drums tracks and loved them! i'm engineering a record for joe chicarelli and he's already got a unit and tracked a mono drum room thru the level-or to add grit to the drum sound. $%*ing mission uaccomplished! i used the Level-Or as a parallel distortion track for a
wulritzer and it added a nice grimey sparkle as well. you guys have any other 500 series designs in the works? i've got one more space in my lunchbox!"
-Travis Huff
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Revues
Revue de Matt Houghton publiée en Novembre 2013.